Black Swan (2010)

I’m fairly annoyed at myself. I cannot believe I have never seen a film that is directed by Darren Aronofsky. I have heard praise for his films, such as The Fountain, The Wrestler, Requiem for a Dream and Pi. Sadly, these films haven’t been as high on the radar as they should have been. So imagine my anger when I see Black Swan and realise I am witness to one of the best directed films I have ever seen, as well as being one of the most beautiful.

Black Swan revolves around the ballet Swan Lake and the conflict in Nina Sayers’ (Natalie Portman) life as she has to develop her darker side in order to portray not only the fragile and delicate White Swan, which is a perfect description of Nina, but also the dark and evil Black Swan.

The conflict in Nina’s life come mostly from those around her: her mother (Barbara Hershey) is overbearing, attempting to live the rest of her failed career through her daughter; the sexually forward and extravagant ballet instructor, Thomas Leroy (Vincent Cassel); and the rival for the starring role, Lily (Mila Kunis). Through interactions with this supporting cast, and others, Nina begins to lose her mind and becomes less like her White Swan self and delves deeply into the hedonism and sexual exploration that encompasses the role of the Black Swan.

Portman’s acting in this film is perfect. Some have criticised it for being far too one-note at the start of the film, yet this is to establish her character as she begins to express more of the repressed feelings that exist within her. This creates a contrast that can be seen through many other elements of the film.

In regards to the supporting cast I find what may be my only criticism of the film, and that is that they do not seem to get enough screen time, apart from Thomas. Cassel as Thomas shows himself to be both repulsive and charming. As the audience we are never sure what to think of Thomas. Though he appears to take advantage of Nina, he seems to be doing it for the reason of the ballet, and even then he seems to strike a note of being charming, even if he is sexually assaulting Nina. The scenes he is in are usually filled to the brim with emotion, be is sexuality, anger, passion or delight.

Lily, sadly, needed more screen time. She is seen to be the rival to Nina, being more like the Black Swan, contrasting the entirety of Nina’s life. This rivalry is very well implemented, with tales of Aronofsky pitting both Portman and Kunis against each other and keeping them as separate as possible. Erica, Nina’s mother, also needed more screen time. We see at first that she is a slightly pushy mother, but as the film goes on we understand her obsession with her daughter and her success. Through this character we can really see why Nina is like she is and understand what has been repressed.

In the way of directing, this film is simply beautiful. A constant motif of white and black is used throughout, with most everyone around Nina wearing black to symbolise their corruption, whilst Nina wears white (to symbolise her purity and fragility) until she becomes more like the Black Swan, now wearing darker clothing. Another motif used is that of mirrors, which can be seen in almost every scene. These seem to be symbolic of another version of oneself, as well as reflection upon oneself. Thankfully, though these motifs appear in most every scene they do not seem forced and do not stick out enough to ruin the film.

One of the best directed films I have ever seen, and possibly what will turn out to be my favourite film of 2011 (yes, even this early on!), Black Swan is simply beautiful. Throughout most of the film I forgot I was in a cinema and felt like I was in the movie, extremely so within the climax, which was so gripping that I refused to move for a long period of time after the film had finished. With a dramatic, tear-jerking and bittersweet ending, this film is near-to what Nina Sayers strives for within this film: Perfection!

Final Verdict: 10/10

Some of my Favourite Films

I haven’t put anything up on here for a while and it’s annoyed me. I’m seeing True Grit today, so after that I’m going to write a review for that, Black Swan and Tangled, so in the meantime here are 7 of my favourite films. 

This isn’t a top films list or whatever and they are in no real order, but I just want to share some of the films that I really love. They aren’t all exactly good films, but they are films that I really enjoy for one reason or another, so enjoy.

THERE MAY BE SOME SPOILERS, BUT I’LL TRY TO KEEP THEM OUT WHERE I CAN OR AT LEAST PUT THINGS IN THERE THAT ARE OBVIOUS OR HOLD NO REAL BEARING ON THE PLOT!

Persepolis (2007)

This film is a wonder of animation. Though not exactly the best drawn animation, the design really conveys the feeling that this is taking place in the past and contributes to an overall bleak feeling that this film tries to put across, though still expressing a lot of humour that makes  this film more enjoyable than if it was completely serious!

Taking place in Iran during the fall of the Shah and the rise of the current Muslim regime, Persepolis tells the story of Marjane Satrapi, whose life we follow. The film shows the innocence of a child during such turmoil and how it affects such a young girl, following her throughout her youth and teenage years as she feels the pressures of the regime that has taken over her country, which attempts to stifle any freedoms the people of the country may hold.

It is especially poignant in that the main character is a female, and therefore is more likely to feel the pressure of the government, which tailors more for the men than the women. This leads her to escape the country and study in Vienna, contrasting the ‘free’ Western world to that of the oppressive government of Iran.

Beautifully animated and narrated, this film is definitely worth watching, as it can show us how some of the problems in the Middle East have come about and how they can affect the people living there. Also, if you see it anywhere then pick up the original graphic novel this film is based off of, as it gives a lot more information about Satrapi’s life.

Moon (2009)

‘Emotional’ is probably the best way to describe this film. I really don’t want to include any spoilers for this one, at all, as it is so much better if you discover everything yourself. The only stuff I’ll tell you will be on the back of the DVD box and how I felt.

Sam Bell, played by Sam Rockwell, is a man working on the Moon collecting energy resources (explained slightly in the film) with only one other companion, a computer called GERTY (voiced by Kevin Spacey). After an accident on the Moon he makes a number of discoveries that turn his word upside-down.

It is from this seemingly simple plot that we get one of the most intelligent sci-fi films I have ever seen. Bell’s performance conveys a number of emotions that make you connect greatly with the character, so that whatever happens to him tugs at your heartstrings. Not only this, but the voice of GERTY is so calming and relaxing that you immediately grow a liking for him.

By the sounds of it this is very comparable to 2001: A Space Odyssey, however Moon is nothing like it. Though it can convey similar feelings of isolation it is far more emotional that can bring a tear to some people’s eyes.

Bloodfist III: Forced to Fight (1992)

This is a weird film to put on here. It’s not at all well known and isn’t that good if you look at it in a certain way. Don “The Dragon” Wilson stars as Jimmy Boland, your classic ‘man imprisoned for a crime he didn’t commit’ action star, who gets on the wrong side of both the White and Black gangs in prison. Boland essentially wants nothing to do with anyone, but the gangs keep picking on him, in the meantime getting their arses handed to them.

The action and fighting in this film is pretty good, especially for one of the Bloodfist films. At times it can get pretty intense and has some disturbing scenes. The gangs are extremely racist and this film is great at showing that hating someone else just by the colour of their skin gets us nowhere, and yet when they do co-operate they can get on swimmingly.

This film also has Richard Roundtree (Shaft) playing one of the most likeable characters I’ve seen in a film, trying to help the inmates get free through legal means, as well as being generally kind to everyone who deserves kindness. He also hits some people with a baseball bat. Win!

Sir Arthur Conan Doyle’s Sherlock Holmes (2010)

No, not the one by Guy Ritchie. This is The Asylum’s version of Sherlock Holmes. And it is awesome. It has Sherlock Holmes up against dinosaurs. Do I need to say more?

Though the person who plays Sherlock Holmes is not that good an actor, everyone else plays their characters pretty well. In fact, Sherlock Holmes does what Sherlock Holmes would do in the situation, which is odd but really well done.

Sherlock Holmes is extremely creative, including a sea monster and dinosaurs. It also includes a chase scene between a hot air balloon and a dragon that is burning London. This sounds so ridiculous, and it is, but it gets your attention and is actually a really well told story.  

There’s not much I can really say about this film other than this: awesome. Go find it and see it, because this is extremely entertaining, in both a good and funny way!

Casablanca (1942)

Ah, Casablanca. I shouldn’t like it. It’s a romance film, and I’m not too keen on romance films. But Casablanca is done so well, with such finesse, that I find it hard not to love. It’s also what I like to call a ‘true romantic film’ (I’ll get onto my problem with romance films at some point).

Set in unoccupied Africa during WWII, we follow Rick Blaine, an American bar owner in Casablanca, Morocco. He comes into possession of two letters of transit, which allow the movement from Morocco to another country. Whilst there he comes into contact with a rebel leader, Laszlo, who comes with a previous love of Rick’s, Ilsa.

The rest of the movie focuses on the love between Rick and Ilsa, as well as the love between Laszlo and Ilsa. The character of Captain Renault is both amusing and likeable, though he has his flaws. In fact, all characters have their flaws, which make them all the more likeable as they seem more human and relatable.

The story of Casablanca is one of sacrifice and shows the extent to which one would go to in order to secure the safety and happiness of the one you love. Casablanca shows what a true romance is, that it is not full of sunshine and rainbows like so many romance films these days show.

Sideways (2004)

Talking of romance films I like, I need to include Sideways. This is, yet again, what I would call a ‘true romantic film’. And yet it is nothing like Casablanca. Though this is not necessarily a romance film, one could call it a romantic comedy.

Set in California’s wine country, Miles (Paul Giamatti) and Jack (Thomas Haden Church) are two friends that are having a week long road trip for Jack, who is getting married. Jack’s main goal for this trip is to get laid, whereas Miles just wants to get over his ex-wife. Both go about their romances in two extremely different ways, with Jack being more forward than the nervous Miles.

Paul Giamatti has to be one of my favourite actors. He plays the character of Miles so well that we feel for him greatly. Everything he does we can relate to. There are moments of great awkwardness that only his acting seems to be able to convey.

The film, overall, is rather bipolar. I’m not sure whether or not it is supposed to be light-hearted or deeply dramatic. Some may be put off by the dark drama, however this only allows the periods of humour to be even funnier.

Sideways involves so many twists and turns that it holds your attention throughout and delivers a story that is strangely relatable at times, as well as completely ridiculous. Like Casablanca both characters have flaws, but this makes them all the more likeable and interesting.

Also, being a lover of wine it’s nice to see so much of it going around!

Six Shooter (2004)

I was considering not putting this on here, but I love this film. Not many people will have heard of it but it’s by someone who made a very good film: In Bruges. Though not a normal film per se, it being a short film and all, it still has enough content and drama to feel like one.

Martin McDonagh’s Six Shooter is a black comedy at its finest, mixing enough drama and comedy to create an awkward feeling. This awkward comes about not from the brilliant performance of Brendan Gleeson as a recent widower, but more so from the psychotic kid he meets on the train to Dublin (yes, this film is chock full of Irish people), played by Rúaidhrí Conroy. It is through his performance that we get most of our laughs, but also some of the most awkward and disgusting moments. At many points I was unsure whether to like him or hate him.

Throughout all 27 minutes of this film we get to know around 4 characters, but we mostly learn the story of Gleeson’s and Conroy’s characters. At times this film can seem somewhat depressing, either through the characters’ stories or from what happens to them, but the mood is kept elevated at times.

All of this builds up to a stunning conclusion that, like the rest of the film, is both upsetting and funny.

So those were 7 of my favourite films. I’ll probably list some more at some point, but first I need to get these three reviews done. Thanks for reading!

Megamind (2010)

The amount of people who asked me what Megamind was when I went to see it. All you people, you should feel ashamed. I had been looking forward to it for quite some time and yet only a few people I told about it had any idea what it was. Oh dear.

Megamind features Will Ferrell as the supervillain Megamind, waged in a lifelong battle against his nemesis Metro Man, voiced by Brad Pitt. When Megamind does away with Metro Man, aided by his minion... Minion (David Cross), Megamind is left in an existential crisis: what does he do now with no hero to battle against? As he decides to create a new superhero, Titan (Jonah Hill), he also attempts to woo love interest Roxanne Ritchie (Tina Fey). His attempts to do both at the same time create many crises that lead the plot towards a dramatic climax.

There may be some mistake made from watching the trailers or looking at a plot synopsis that this film is brimming with action. This is not so, as the film is actually a lot deeper. Where Despicable Me looked at the life of a supervillain who only wants to please his mother and be the best, Megamind looks into that circumstance where the villain does win. It rarely happens in comic books or films, but it is a likelihood, especially with how superheroes work. Superheroes cannot, generally, maim or kill, so their opponents always end up in prison or an asylum, where they may escape.

A supervillain, however, often wishes to kill the superhero. And once this superhero is defeated the supervillain has their way with the city. Yet, with the euphoria of the ruling finished, the supervillain would have nothing to do. Everyone fears them, so what purpose do they have. This is where Megamind is so diabolical. He only creates a new hero in order to fight them. It turns into a interesting plot where we see him attempting to train the thing that he plans to fight him, and possibly destroy him.

This coincides with his relationship with Roxanne, which he goes through under disguise, knowing full well that she would leave him for his actions. This means a story where the love is not built through any form of physicality, but through the qualities a person bestows and how, no matter how evil someone can be or seem there is some good there.

In fact, early in Megamind’s life he was shoved aside by Metro Man, landing in a prison where he is brought up around criminality, whilst Metro Man is given a life of luxury, having everything handed to him rather than working from it. Through this he builds up a massive ego. In school Megamind tries to do good and show his intelligence, however, when things go awry he is shoved aside whilst Metro Man is praised. This makes us wonder if we can truly say a person is born bad or if it is all due to his upbringing. Indeed, he shows potential to be a good person throughout the film, no matter how evil he feels he should be.

Well, enough of the plot analysis and looking into what the film is trying to ask us. DreamWorks shows in this film why it is good enough to contest with Pixar in animation. It pays homage to so many different superheroes as well as calling upon the clichés we all have grown to know and love. These parts of the script, as well as 

many of the jokes, had me laughing in the cinema, so much so, at times, that I cried with laughter.

The action is extremely fast-paced, moving so fast that I’m quite shocked no one got motion sickness it was so quick. The way in which these scenes looked may have been due to the 3D, which added a lot of depth to the film and helped show off the size of the city. Indeed, the Metro City has been animated beautifully and looks like an animated version of New York, Washington D.C. and Metropolis all rolled into one.

Finally, the characterisations were spot on. None of them were too goofy and were very well-rounded. They all felt like they could be real and went through life with troubles we may all go through. Of course, these are hyperbolised, yet it feels like a real drama. The voice acting of this cast was spectacular and all voices matched the characters to a key.

Megamind has had me talking and thinking about it ever since I watched it. It’s a film with a lot deeper a meaning than some children might get. At times I feel it wasn’t made for children, but for adults. It’s a kid-friendly film, but contains so much to think about and take in and many jokes aren’t ones the children will get, possibly due to their subtlety. I definitely enjoyed it and, if you do ever see it, I hope you will too.

Final Verdict: 9/10

Call of Duty: World at War (Originally posted 05/03/09)

Reviewed Platform: Xbox 360

Other Platforms: PS3, PC, Wii, Mobile, DS, PS2

Call of Duty 4: Modern Warfare was a great game. In my own opinion it was possibly the strongest game in the entire Call of Duty series. It decided to no longer stick to fighting the Nazis. Now we were to fight today. This was Modern Warfare. We were fighting the perceived enemies of the West in the 2000s.

All was well and happy as we saw our fellow Englishmen die right in front of us in the final battle and the Americans being brutally massacred within a nuclear explosion. Both of these moments took my breath away as I felt so connected to these well rounded characters. Thank you Infinity Ward for a fantastic game that I have played many times.

Now it is Treyarch's turn. It would seem that Infinity Ward and Treyarch take it in turns to develop Call of Duty games for Activision. Because I was so enamoured with CoD4 I decided to play Call of Duty 3, developed by Treyarch, which was alright as a game, but not fantastic. I know it was made with technology that was not as good as the technology used for CoD4 but that was not the problem. Firstly, the story was bad in that I felt no attachment to any characters, which didn't make me enjoy the experience.

And then there is my pet peeve with games like this that are set during World War 2, and that is this: you end up fighting off half of the German army within each trench you enter. Now, it really doesn't seem historically accurate to me that a mere Private ends up attacking what appears to be the place where Nazis spring up from the ground to rip your nipples off. I am so glad that within CoD4 there was no moment (to my recollection) that every single member of the Ultranationalist party comes along to brutally sodomise you whilst you hold on to Captain Price's moustache. But I digress.

Now on to the game I am actually going to review. It follows Call of Duty FOUR in the series so evidently I am reviewing Call of Duty FIVE. Sorry, but it isn't. It is Call of Duty: World at War. Not Call of Duty 5: World at War. Just Call of Duty: World at War.

Okay, so they have now decided not to number the sequels from now on. I can see their reasoning behind this as, sadly, World at War is actually set in World War 2. So Treyarch have decided to take a step back and not continue with Modern Warfare. Okay, okay. Fine. I can deal with that. It'll make new members of the series confused but okay, whatever.

I think I may as well get off this petty stuff. Hopefully it won't harm the rest of the series.

This game has also tried to be a special one within the series as it now takes us away from the European front, but now we get to go to the Pacific Theatre. Cool, that worked really well for Medal of Honor: Rising Sun. I had a lot of fun with that game. But now they have decided to ruin fighting in Japan for me by giving me three recurring characters who are absolute gits (who made such an impression on me that I forgot their names and didn't care when two out of three of them died on me), Banzai troops that knock you to the ground and give you half a nanosecond to actually kill and finally, you guessed it, millions upon millions of Tojos (their words, not mine) to dispatch before deciding that we should bomb a tonne of places and then go home.

Then we have the fact that every single American soldier decides to swear like a sailor whenever they stub their toe. I mean seriously! The swearing within this game could not be any more gratuitous. The word “fuck” is constantly chucked about as if we were going into battle with a battalion of chavs who had to swear after every word, including the curses. I don't mind swearing, I just find it pointless. It never seems to fit in with what they are saying. “Abso-fucking-lutely” Why not absolutely? CoD4: Captain Price can't get a helicopter to the bridge in time: “Useless Wanker!” The shit is about to hit the fan. Of course he'd swear! 

Then we have the terrible AI. Your team mates fail at killing any of the enemies. By the end of the first mission your character should end up becoming Lord High Ruler of the Universe for the amount of Japanese warriors he has killed. This wouldn't be so bad if there weren't so many warriors coming after you. And when I say coming after you I mean YOU and only YOU! Emperor Hirohito must have put a bounty of your head for 10 trillion Yen. You play on Veteran and they will all be chasing after you with bullets with a heat seekers on them, which won't fare well with your health. But don't worry, hide for a bit and you'll be back to normal. I love that about these games. I guess you just assimilate the bullets into your system and rebuild yourself with the materials, giving yourself a metallic organs and bones (which would explain why you can take so much punishment, I suppose). 

Oh, and then we have the grenades. My God the grenades. I need a paragraph on its own to talk about grenades. Even on Recruit they have some form of homing device on them. No matter where you are, no matter how many enemies there are, you will have four or five grenades drop at your feet. You can't throw them back because once you send one on its way to the nearest enemy you'll have the others blow you into tiny pieces. None of your team get 'naded. Just you. They must have something that repels these grenades, because they are always safe. You get no time to shoot. You get a grenade up the arse. They are annoying. That's the reason the Japanese lost the war. They put all their war effort into creating as many grenades as possible rather than better weapons.

Well, that's out of the way. Now on to the other half of the game.

Then we have the other half. The Russian part. And... I liked it. The characters were well rounded and the plot was interesting. Walking forwards to slowly put the Red Army's flag on top of the Reichstag was a good touch, especially as you are wounded, and it made me feel as if I were a part of the war. It kept more to the old formula within CoD4, but wasn't as good. All I can really say. It was a better part of the game.

By the way, where are the British? We played a major role in the war, with all of 1939-1945 having the British fight in it. We were there for it all. But we never crop up at all within this entire game. I hear the British are in the PS2 and DS versions, but why not on the Xbox or PS3 versions? Confuses me.

Now, the online element of CoD4 was absolutely amazing. I played it constantly and went through several prestiges. Yet now I feel that Treyarch has let the series down yet again. They used predecessor's online gameplay and made the maps massive and open. Now, one of the great things about the CoD4 online, I felt, was that it was very close quarters and there was cover to hide behind. World at War decided to take this element and throw it into the bin, introducing vast landscapes that allow snipers to see everyone and kill them. However, sometimes the problem is  actually not being able to find anyone. The maps are so big that everyone tends to be on the other side of the map, eliminating any sort of tactics that include flanking and... flanking. Actually, the only tactic is to flank, but that can get some kills. 

The dogs are a bitch, too. I like that it's easier to kill the replacement of the helicopter, but we still have very little chance against them. And they should definitely not put points for killing dogs on the score. I do, however, like the fact that experience for assists is given relative to the damage given to the enemy. A lot fairer than +2 every single time. Basically, the online was like Halo 3: fun, but only with friends and only if played fairly rarely.

Nazi Zombies is a good mode, but can get boring after a few goes, and Co-op absolutely sucks. It just does unless you put on cheats to make it a little bit challenging. That's all the can be said for those.

As you can tell I am not an absolute fan of this game. There are some really good points but it is just extremely adequate. Very, very adequate. Playable, but not for long periods of time. I'd rather play CoD4.

God Rest Ye Merry Gentlemen - Annie Lennox

I didn’t plan on doing a blog specifically for Christmas. I’m personally not into Christmas as much as many people seem to be. However, there is one thing I love about Christmas. Call me a traditionalist if you will, but one of my favourite aspects are the Christmas Carols, one of my favourite of these being the song “God Rest Ye Merry Gentlemen”.

I don’t know why, it just is. I love the lyrics, I love the way it is delivered. It just seems right. So as you might guess, I’m quite particular about how a version of this song might be sung. Not always can these Christmas Carols be sung well or with the right amount of emotion by bands and artists.

However, Annie Lennox has somehow made “God Rest Ye Merry Gentlemen” a much more accessible song to the public.

I don’t know what it is about it. I suppose everything is right about this song. The chorus in the background, the feeling that this is a ‘big’ song, the variety musical instruments cutting in and out when they are needed. It’s just wonderful.
 

The video is great too. I get a feeling that this is still very much Christmassy. The video has a Victorian feel about it. But then we also get a little bit of sass. There’s a feeling of cheek in there. Not only this but the video doesn’t look overblown, it just feels that way. It’s an amazing combination of auditory and visual mediums.

This song is off an entire Christmas album by Annie Lennox called “A Christmas Cornucopia”, released this year. For a Christmas album it's pretty darn good!

So enjoy this song and enjoy your Christmas, everyone!

Tron: Legacy (2010)

Tron was a revolutionary film. It featured both live-action and computer animation within the same scene utilising some very interesting and seemingly complex filming techniques. Though at times criticised for its fairly slow and dull storyline, it was nevertheless a marvel of film-making. Its success and cult following even led to a world in the game Kingdom Hearts II. Now a successor has been released: Tron: Legacy.

Tron: Legacy opens to Kevin Flynn, reprised by Jeff Bridges, talking to his son about the world of The Grid, where Tron and Clu, two programmes, are helping him build a stable and perfect system.  He mentions a ‘miracle’ but tells his son that it is a story for another time. True to Hollywood tradition Flynn goes missing, so we have no idea what this miracle is. 

The film cuts to 20 years later, where Kevin’s son, Sam Flynn (Garrett Hedlund), is now acting exactly like Chris O’Donnell in Batman Forever: riding his motorcycle really fast, being cheeky, and wearing a t-shirt to show off his muscles. However, where Dick Grayson was purely annoying, Sam is actually somewhat likeable. He’s not trying to live up to another; he’s just trying to do what he feels right and to make a mockery of a sham of a company. 

In fact, the behaviour of Sam in this is similar to Kevin’s in Tron in a way. That is to say, he is breaking into a large company in order to enact justice. However, unlike Kevin, these seem to be for less selfish reasons as we are shown straight away that ENCOM, Kevin’s old company, is extorting people for the software that it produces.

Suffice to say, Sam achieves what he sets out to do and is later contacted by a friend of his father’s: Alan Bradley, reprised by Bruce Boxleitner, the man who created the programme Tron. He says he’s been contacted by Kevin, so Sam goes to the arcade seen in the first film and whilst there is sucked into The Grid. 

Note that some of this plot has been used before in Tron: big corporation doing naughty stuff, person feels the company has done wrong, they go to stop them and then through a series of events get sucked into The Grid. However, this is all very brief.  It is from here that we get an all new story and my word is it amazing!

We are taken through the games, which have been upgraded since 1982, and we are introduced to the main villain. From here there is a story detailing betrayal, discovery and destruction. Through a multitude of twists and turns we see both sides of the conflict between an authoritarian regime and just three who are fighting back, all in the aims of getting back to the real world and stopping the villain from the outside. This leads to a spectacular climax that leaves you wanting more, and hopefully you will get more as the ending is open for a sequel!

The effects of this film are perfect. The world, though computer generated, felt like it had weight, as if it actually existed. This is more than I could ever say for Avatar, where the world looked far too fake to be real. In The Grid we see the building, the technology in that world, the landscape, and it all looks so real, as if the creators of the film had actually built this world out of data, gone into the system and filmed on location. Also, surprisingly for me, I found the 3-D effects to be very good. In fact, the 3-D is used artistically, as the real world is shown in 2-D, whilst The Grid is 3-D, showing a difference between the two worlds, not only aesthetically but in the way we actually perceive it.

The effects don’t just stick to the landscape, however. There are many vehicles in the film that were computer generated that, yet again, looked realistic. The effects even went so far as to be an actor, as a younger version of Kevin as well as Clu, the computer programme created by him, are both computer generated. However, for the majority of the film I was fooled into believing this was actually Jeff Bridges.

The acting within this film was spot on. The actors delivered every line perfectly, which furthered the connections we had with the characters. However, this was accompanied by an absolutely superb script. One scene of note is the dinner scene, where the conversation flows perfectly and shows an awkward connection between the father and son who have not seen each other for 20 years. (Whilst on the subject of the dinner scene, I would like to bring up the fact that we have no idea where any of the food comes from. We see a lot of drinks, but they seem to fit in with the world. The food eaten here is pork as well as vegetables, which do not look even slightly like they fit in with the world nor do they seem to make sense.) We see throughout the film the growing connection between the father and son, which is quite endearing and builds up very well, unlike the clunky father-son connection in Indiana Jones and the Kingdom of the Crystal Skull.

Music-wise we have nothing to complain about as Daft Punk has delivered with a pretty atmospheric soundtrack. Daft Punk even had a cameo in the film as two MP3 programmes. Though initially confusing as to why they might be there (cameos in The Grid would seem strange) they seem to fit in with their robotic look.

Though Tron: Legacy can seem somewhat derivative of Tron within the opening I advise you stick it out and keep an open mind as the story is pretty good and the effects are amazing. You don’t need to be a fan of the original to enjoy this film, as any exposition needed is delivered early on, so newcomers can also enjoy the film. It’s received fairly mixed reviews, some saying it’s not ‘intellectual’ enough, but I have to disagree. Both serious and fun, Tron: Legacy is a film that can be enjoyed by most people. I suggest you go see it soon!

Final Verdict: 9/10

Faces of Facebook: The Duck Face

In this series I will be looking at the "faces" you would see on Facebook, Myspace and other such social networking sites. These "faces" are the styles of photograph you often see on these sites that baffle people. Why have they done this? What is the purpose? Why that angle? Why that face?

You'll most likely know what I am talking about, but maybe not. Nonetheless, let's check out our first offender:

The Duck Face

This face consists of pouting of the lips. In and of itself it isn't that bad. Angelina Jolie seems to have her lips in a constant pout and people are fine with that.

No. No, this is no ordinary pout. This is pouting to the extreme.

This is the Duck Face

This, of course, is nothing new. Girls were most probably the first offenders. I have no idea why. It's not attractive and it definitely doesn't make you dignified. No one can do the Duck Face and retain any form of dignity.

So many people hate the Duck Face. They don't get it. And yet people continue to do it to this day. Just go on Facebook. Do it. Now look for that girl in your friend's list who wants to look hot. If you look in her album you will no doubt find a Duck Face. When I kept seeing this pop up on my News Feed I was certain it was only girls who did it. Heck, any celebrities seen doing it were all female, so it must only be them. Surely.

Then the guys started doing it:

I've tried as hard as I can to not put any photos on here of my friends. I think it would be remiss of me to do so and they would probably slap me. But they do it. Oh yes they do. It's upsetting to see the pictures of these people and realise they think it is meant to look sexy or something along those lines.

Maybe Zoolander is the cause of this all. I am sure that the Duck Face did not exist before this. But sadly, I am probably wrong. Nonetheless, the 2001 film used the Duck Face as a joke, that it is meant to look sexy but really doesn't. That was the whole thing about Zoolander: everything the character did was a mockery of the real fashion industry!

So it's quite industry how something that was mocking of those people who think they were sexy by pulling certain faces actually became a face that people thought they would pull to look sexy.

This face can bring out a syndrome so evident on the internet's social networking websites. It isn't a face in itself. It's the way someone depicts themselves in photos. And this is it:





One has to enquire: WHY?! Why does this happen? That when someone gets photos taken of them they always pull the same face. That every photo they are in looks like they weren't there, they were just photoshopped in.

Why!?

This face is also utilised in conjunction with three other techniques often used by people to increase their "hotness", or so one assumes:

1. Take the photo using a bathroom mirror (because you look sexy in the place where you crap).
2. Use a "gangsta" symbol for extra points.
3. Take the photo from a high angle (we'll be covering this later).

So, I ask you all: why does the Duck Face prevail? Very few people seem to like it, yet it still appears to show up everywhere. Where a girl may look pretty she is suddenly turned into Pete Burns. The popular website Anti Duckface has an entire archive full of silly looking people doing the Duck Face. If you still think it looks sexy then check this website out and tell me that this is so.

Please, ladies and gentlemen, stop this. It looks stupid, not sexy. If there is any way to turn someone off then just do the Duck Face